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The Weekly Weeder: A blog whose mission is to inspire hope in authors, agents, and editors alike.
PEOPLE Magazine’s Style Watch – Seré Prince Halverson’s THE UNDERSIDE OF JOY
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Woman’s Day calls Sarah Jio’s THE VIOLETS OF MARCH a FALL MUST-READ!



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THE UNDERSIDE OF JOY by Seré Prince Halverson – USA TODAY
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By Bob Minzesheimer, USA TODAY
“– The Underside of Joy (Jan. 17, 2012) by Sere Prince Halverson, set in Northern California, features a father who drowns but can’t drown his secrets and two women – a mom and a step-mom — who have claims on the same children.
It’s “no fairy tale about a evil step-mom,” says Dutton’s Denise Roy, as it explores “the nuances of today’s tangled families.” She says that “although it starts as the portrait of loss, it builds into a celebration of what it means to be alive.”"
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ENTERTAINMENT WEEKLY – Meg Mitchell Moore THE ARRIVALS
BOOK REVIEW
Meg Mitchell Moore
Reviewed by Sara Vilkomerson | May 25, 2011
As just about any parent could tell you, the business of raising children doesn’t end when they turn 18. But no one expects all of their adult children to return simultaneously to the nest — which is exactly what happens to Ginny and William Owen in Meg Mitchell Moore’s satisfying debut novel, The Arrivals.
First to descend on the couple’s tranquil Vermont home is their elder daughter, Lillian, two small children in tow, escaping from her husband’s infidelity but keeping the state of her marriage a secret. Then there’s Stephen and his pregnant wife, Jane, whose visit is unexpectedly extended when Jane (whom everyone seems to have a hard time warming up to) is placed on bed rest for the duration of the summer. Finally, there’s Rachel, the youngest, who becomes overwhelmed by a quarter-life crisis. As their kids regress, Ginny and William help them wrestle with grown-up problems while enduring the disruption of their serenity.
The novel is told from multiple points of view, always a tricky maneuver. But Moore handles the shifts in perspective with ease, nimbly evoking the reader’s sympathy for each family member (when you are in your 30s, do you really have the right to expect your parents to do your laundry and clean up after you?). All of the characters — with the exception of Jane — manage to be both achingly familiar and cliché-free. By the end of the novel, everyone in the Owen household will feel like, well, family. B+
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